Buy Andante et Scherzo (Trumpet Solo with Piano& at Trumpet Sheet Music. A flashy J.E. Barat – Alphonse Leduc. Andante et Scherzo Cover. Has anyone played Andante et Scherzo by Barat? Should I single or double tongue the 16th notes in the scherzo section? Tempo is dotted. Andante Et Scherzo Andante Et Scherzo By J. Edouard Barat. For C or B-flat Trumpet and Piano. [J. Edouard Barat] on *FREE* shipping on.

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Sometimes it’s taking a chance and taking on a piece of music that helps to push our technique to a new place. Jul 16, 3.

Andante et Scherzo by Barat | Trumpet Forum & Trumpets For Sale

Jul 16, 5. Don’t take a chance on a performance using an underdeveloped technique when you can do it more comfortablly. Yes, my password is: If single tonguing is fast enough then use it. You must log in or sign up to reply here.

Search Media New Media. I was thinking that dodecatuple tonguing the hemidemisemihemidemisemiquaver would be best. Share This Page Tweet. That being said, keep working on your multi tongue for when you have to use it.

Here’s the deal, you learn to single tongue from the very beginning but you’re pretty far into andznte trumpet playing career once you can multi tongue, and it may not even be good for a few years after that.

Can you play in style, at tempo, correctly and it sound good with single tonguing? Has anyone played Andante et Scherzo by Barat?


Jul 16, 6. Jul 16, 1. Jul 17, 9.

Andante & Scherzo for trumpet & piano

Personally, I think I’d double tongue them. Your name or email address: If the answer is yes, then do it. Jul 16, 7.

Jul 16, 2. I don’t ever recall his articulation being overly criticised. Do what feels good and sounds good. Do you already have an account? Jul 16, 8. As trumpet players, we tend to try to push our limits and falter because of it. But my heart breaks every time I hear the entrance in Mahler 5 with a weak triple tongue.

Andante et Scherzo by Barat

That means most players can single better than they can multi. This question comes up WAY to often. I know that some always talk about doing what’s bzrat for the music, but sometimes and this is just an opinion when a player is in their formative years, I xnd it’s ok to maybe take the risk and put the music second for the sake of the student who is striving to become better.

After all, isn’t pushing ourselves beyond our normal limits what helps us to improve? Ad not, do a multi-tongue. I’ve seen more than andajte few times a high school kid who bit off way more than they could realistically accomplish, and I don’t agree with that – that’s setting a person up for failure, and that’s the kind of experience that can cause an aspiring young musician to stop playing.

Alright, I’m going to save you a lot of anguish later in your trumpet playing career. I might have to look into doing it somewhere sometime. In my memory, I did a pretty good job of it too.


Listing to a recording of it right now on YouTube – sounds to me like the player is double tonguing. No, create an account now.

Barat, Joseph Edouard – Andante & Scherzo for trumpet & piano

Bill Dishman Gainesville, Florida. Should I single or double tongue the 16th notes in the scherzo section?

Aside from that, I’ve never played it – sounds like a neat tune though. If listeners can tell you are double tonguing then you need to work more on it. If you need to double tongue at a certain tempo, learn to do it well and no one can tell. Jul 16, 4. I have played and performed that piece and you should, indeed, double tongue the 16th notes in the scherzo. That’s what helped me to develop my foundation for my multiple tonguing. I played the Goedicke Concert Etude as contest solo as a Junior in high school, and although my double tonguing technique wasn’t fantastic when I started it, by pushing myself through that piece of music, it improved it a lot.

I think that there should be baart to this though.