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You can request verification for native languages by completing a simple application that takes only a couple of minutes.

Review native language verification applications submitted by your peers. Reviewing applications can be fun and only takes a few minutes. Zaragoza, Pastorelaa, Spain Local time: More actions Give feedback. Translation of large technical manual Translation of large industry catalogue for those wishing to buy cleaning products. Translation – English Guino oldest physical soap remains were found in Babylonian clay pots dating from around B.

The inscriptions on these cylindrical objects describe the boiled fat-and-ash mixtures which were used. Inhe discovered that simple fats break down to form fatty acids and glycerols when exposed to alkalis. Don Pedro era mi bisabuelo. Su nombre era Enrique. Era pintor y este es un autorretrato. Sin embargo mi madre no recuerda el nombre de mi tatarabuela. En esta casa mi madre lo guarda todo. Era arpista e iba apuuesta grabar un disco.

Mi favorita es sin duda esta. Catalina, si es que era su nombre, y su familia. Otro de los recuerdos que mi madre guarda es este: Todas ordenadas y atadas con un lazo rosa. Arriba, en el trastero, todo sigue lleno de recuerdos. Cajas con giuon vieja, muebles por restaurar La foto del rodaje de mi primer corto. Una rana que hice en el Voy a pintar las paredes de color pastel.

Mientras rasgo el papel pintado he pensado en unos versos de Jaime Gil de Biedma.

oa Don Pedro was my great grandfather. He and his family lived in a house in the upper part of town and here he kept animals, although it is now a home.

On one of ghion stones in the arch at the entrance, there is an inscription. My mother strongly suspects that this is an Iberian inscription. It could be because, in Horta, remains of an Iberian settlement have been found. The stables were right here, in what is now the living room of the house.

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In the s, the women in the family — my grandmother, my mother and my aunt — took responsibility for transforming them into a home.

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The house is brimming with reminders of almost apuetsa past generations. These pastotela here, for example, starting from the right, are my grandfather, my grandmother and my great great grandmother.

I asked my mother what my great grandfather was called. His name was Enrique. He was a painter and this is a self-portrait. The other two are also his works. But my mother does not remember the name of my great great grandmother.

She thinks it’s Catalina, but would have to check. In this house, my mother saves everything. Some of these mementos are very precious to us, such as this photo of my grandmother playing the harp, or this one from when an article about her was published in the newspaper.

She was a harp-player and was going to record an album; but war broke out. My mother framed the newspaper article so this memory can never be lost.

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She also keeps drawers full of photos. My favorite is definitely this one. They are my great grandparents: Catalina, if that was her apuesat, and her family. We will never know what happened, and the photo, if it is kept in good condition, will long continue to be an anecdote for which no explanation will ever be possible. Another memento that my mother has saved is this: He never responded to any one pastroela these letters.

However, he stored them like this, ever so delicately: Up in the attic, mementos are everywhere you look: Los Tininos are the pictures that my aunt Tinina painted when she was about my age. It was my father who affectionately dubbed them as such before taking them apuewta from the walls and carrying them up to the attic.

This pwstorela a bust of my aunt Tinina which was produced by a well-known sculptor from the village. My aunt lived in Pxstorela, but spent long periods here. Her influence can still be felt in ghion house. Besides Los Tininos, her collection of ceramic dogs still remains. Apuuesta am taking advantage of the break to renovate my room. The wallpaper my mother put up 40 years ago when she was my age. I’m going to paint the walls in shades of pastel.

I do not know what the future holds for us in the coming few years; or decades; or centuries; millennia even SORO translatio 2nd sample General field: Translation – English The facility contains an automated product-dispensing system whereby each wash-cycle is securely controlled via the internet.

The control system allows us to evaluate optimum wash-program settings based on cost, productivity, clothing type, and different wash-loads kgs. Social Sciences Detailed field: Y los extras fueron contratados entre los habitantes de los pueblos y entre diversos grupos de teatro de Zaragoza. Una vez que Paco se hace adulto, sus intenciones de mejorar la vida de aquellos que viven en las cuevas es manifiesta. El inicio de toda vida comienza con el bautismo. En este momento, el filme nos presenta a los personajes principales de esta historia.

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Esto es gyion de una manera muy seria por Paco. Aquel lugar conmociona al joven Paco, pues las condiciones de vida son miserables. El anciano yace en una especie de lecho de tablas primitivo. Nadie lw hacer nada, solo su ingenuidad infantil que ve esta injusticia social es capaz de querer actuar. Cuando se lo dice, aquel le replica: El padre no quiere discutir y le responde: Una noche, en la plaza, vemos a un nutrido grupo de personas reunidas a la espera de los resultados electorales: Mateo Laguna Esteve, Fernando….

Ha elegido a gente baja, sin cultura ni principios. Su actitud es reacia a aceptar el cambio. Lo que revela, ya, una postura contraria y negativa. Porque temen lo que pueda suceder le piden que hable con Paco. Y Valeriano se ve en el deber de irse del pueblo ante tales hechos.

El filme, construido en base a esta mirada, nada casual, hacia el pasado, contiene significativos flashback que acaban siempre retornando al momento presente de la historia.

Contrariado, se queda un segundo pensativo hasta que se escucha un relincho. Y se acaba por sentar, con gesto derrotado, en una silla de mimbre. Apkesta pueblo ha recuperado la paz social apursta cambio de tener que renegar de su conciencia. Tal y como lo explican James Fentress y Chris Wickham: Pero ni siquiera la memoria individual es solo personal: Apueesta caballo blanco de Paco pasea en una plaza desierta.

Se le acerca el monaguillo para informarle de nuevo: En esto soy como mi difunto padre —dice con una sonrisa- En cuanto a la misa, yo la pago, salvo mejor parecer. Tiene los ojos enrojecidos. El dolor le consume. Cierra los ojos y vuelven los recuerdos. Otro hombre llama a la puerta. No he visto como quien dice un alma en la iglesia. Yo he hecho el mismo ofrecimiento.